Story — Three of Spades

“They’re going to die, aren’t they?”

“Probably. But such is life.”

Hart frowned, folding her arms as she stared at her brother. “Why do you do this, Spades?”

“You’ll have to be more specific than that, dear, I detest pronouns.”

“This game you play. Exploring the same moment in time over and over again with different adventurers. What do you get out of it?”

Spades nodded, swirling the wine glass in his hands and then pouring it out onto the table. As soon as it left the glass, the wine stopped moving, frozen in time just as the rest of the tavern was from the moment Hart walked in. He addressed her from across the bar. “That’s a neat trick, you know. You simply must show how to do that some time.”

“You bend the fabric of reality to repeat the same days over and over and you want to know how to stop time?”

“You’re right. Where will we ever find the time for such a thing?”


“I’m looking for something, sister.”

Hart squinted, noticing the change in Spades’ tone. “What, exactly?”

“A change. An abnormality, one might say. You know, the last group of people I sent on this quest completed it without a hitch. Perfectly executed. They didn’t even break the curse.”

“Sounds like they were capable,” Hart said.

“They were boring, dear. I don’t care about competence, I want to be entertained.”

“So you’re sending a group that is the polar opposite of the last one. So woefully unprepared that they have no hope of survival?”

“Oh, I wouldn’t say that. I’ll give them a boon. To increase the likelihood for quality entertainment.”

“And what would that be?”

Spades pulled out a deck of cards from his coat pocket and laid the top card onto the table. As soon as one corner of the card made contact with the wood, it froze in place, showing a face up three of spades. Hart rolled her eyes.

“I’ll be a little more direct this time around,” Spades said, shuffling the rest of the deck. “As long as it gets me a more interesting show.”

“This is pathetic.”

“You can watch with me, if you want.”

Hart’s face convulsed. “Watch as half a dozen people, possibly far more, get slaughtered.”

“Since when did you become a paragon of virtue? It doesn’t suit you, I must say.”

“You’re insufferable.”

Spades smirked. “Yet here you are of your own volition, suffering me.”

Hart stood from the table and looked about the tavern, still as a painting. “Tell me something, Spades.”

“Something honest, or clever, or stupid?”

“Something honest,” Hart said.

“Ah, good choice. That’ll cost you, though. I’m afraid information isn’t cheap.”

“I’ll show you how to freeze time.”

Spades nodded. “That’s more like it. What do you want to know?”

“Is this group the one? Are they different from any of the others?”

“Probably not. I expect them to set a record for quickest failure, to be honest. In all likelihood they’ll be dead by midnight. But it’s about the journey, dear sister, not the destination. After all, we all find ourselves in Death’s chill embrace in the end.”

“You really are despicable.”

“Yes, yes, I’m well aware. Now hurry up and undo the spell, I haven’t got all day.” He thought about that for a second. “Well, perhaps I do, and therein lies a new problem.”

Hart glanced at the table, then back to him. “As you wish.”

She snapped her fingers, and the tavern was brought back to life. As the ruckus of the Daylight’s Kiss resumed around them, both the card and the wine fell onto the table, red liquid pouring over the edges and onto Spades’ hands and clothes.

He looked up at her, unamused. “Don’t think the irony is lost on me, sister,” he grumbled.

“I should hope not. After all you do love your symbols.”

D&D — Dialogues 5: The Death Dungeon

Yesterday (as of writing this) my brothers and a couple friends were caught without board games to play. They were all at somebody else’s house and nobody wanted to go back to get them. Usually, we just play Telephone Pictionary instead (you draw a thing, pass it to the next person, they write what they drawing is, they pass it, they draw the description, etc.), but we weren’t really feeling it.

So we improvised a D&D session. We only had flash cards, two sets of dice, and the internet at our disposal. Most of us randomized pretty much everything. Random race and class, and randomized stats. In fact, for stats we just rolled 1d20 each. One of my brothers got two 20’s (at level one). He only ended up with 3 HP, though, so as a wild magic sorcerer his character was bound to be interesting.

When I rolled my d20s, my highest roll, and the only one above 10, was a single 12. Two of my rolls were 1s.

So naturally I made a goliath rogue with 1 Intelligence and 1 Wisdom. His name was Gerg, because that was the only sound he was capable of consciously making. Most of his modifiers were -2 or worse (even his Dexterity). The only thing he was kinda sorta good at was Strength and stealth specifically, because his Rogue expertise brought his Stealth roll to +2.

The session was fun, and I won’t get into the more mundane details. We had four rooms to explore and we only got to two of them. Each door had different monsters to fight. When another friend stepped in mid-game as a half-orc sorceress, we were really surprised when she just attacked us.

Now, Gerg was an interesting character to roleplay. You can’t really use logic to explain his actions because, well, he’s real dumb. A baby step away from catatonic, in fact. So he tries to attack the other half-orc in the party, and chaos ensues. The only normal person in the party died due to collateral damage, both of the half-orcs got away, and Gerg stalked after them with pokey intent. (Very loudly, I might add. That particular stealth roll was a 1.)

The person whose character had died re-rolled a new random character and followed into this new fray where we fought the Spanish Inquisition (literally). Gerg poked the nearest targets before losing the remaining 4 HP from the previous fight, so two out of the five players were down, one not in the room, and all of our loyalties to one another questionable at best.

So this True Neutral gnome druid walks into the room and sees this chaos happening. She can’t tell who’s the good guy and who’s the bad guy, so she walks up to Gerg and casts Healing Word, which brings him to full health.

It was a mistake. Gerg wasn’t smart enough to know that this small thing was the thing that saved him. So… he poked.

And rolled a 20.

A sneak attack and 22 damage later, Devon’s poor second character met and instant, tragic, and hopefully painless demise. As Kollin I feel really bad still. It’s hard not to when you’re technically making the conscious decision to murder somebody you know helped you, even if the situation justified it.

But man, it was hilarious, too.

So, about three hours and a bloody mess of level 1 corpses later and we called it a night. I had a blast, because having a bunch of confused characters in a room doing crazy stuff is just silly on a level scarce achieved elsewhere.

We’ve discussed the possibility of making a random generator just for the purposes of a Death Dungeon. Spitting out random characters, random rooms, etc. I hope we do, because that was a ton of fun.

Me — Why I Want to Be a Writer

I’ve been thinking about this question a lot lately. And I don’t mean surface level stuff of “I want to be famous and published worldwide and pretty much the next J. K. Rowling”. First off, I really don’t want that. I don’t want to me “famous”. Ideally, I want to be known well enough that the average person may or may not have heard of my book series, but probably can’t think of my name off the top of their head, and especially doesn’t know what I look like.  Christopher Paolini is a good example. Most people know what Eragon is, but far fewer know the writer or anything about him. I want to be there, but maybe even a rung or too less successful. I want enough money to live comfortably, but I definitely am not aiming for the stars here.

But that’s not why I want to be a writer. Minor amounts of fame and comfortable lives can be achieved through hundreds of different professions. Hundreds of different creative-based professions, even. So why a writer?

Until recently, I’d have told you I want to tell stories about things that can’t happen in the real world. I don’t have an awe inspiring message I need to tell the masses, I just want to tell cool stories.

I think that’s part of it, but in the end that pretty much only explains why I write sci-fi/fantasy, not why I write as a whole.

I’m going to backtrack a minute, because I’m going to tell this story how it happened chronologically in my head. I had been wrestling with those ideas for a while, and at some point I came to something I considered a tangent. A footnote to this entire idea.

When I was in junior and senior year of high school, I was struggling with a lot of negative emotions. All day I would imagine a grim reaper following me around and getting revenge on people I didn’t like. I fantasized about this powerful being of death that could let me use my anger and frustration to get back at people. This was a person. A character. Her name was Cyntheras, and while she lived in my head, she was just visiting, because her true home was my first original universe, Nacre Then.

I would doodle tiny drawings of her (because if I work small it’s easier not to hate the art), in lots of classes, depicting her in powerful poses, and always with a giant scythe, which was her weapon of choice.

To me, she was just a neat idea for a character. I intended her to be an antagonist in one of the books in the Sorik series I never actually got further than a chapter or two in. She wasn’t mean, exactly, but she was a sadist, and she loved nothing more than to serve her dark god. Usually, that meant violence. And she was so good at it, that where she came from her name was synonymous with death.

Then, years after high school, I wrote a short story told in her perspective: “A Day of Reckoning“. It was the first time she had ever come to life outside of tiny drawings and short conversations with friends. I got to be ruthless. I got to revel in the power at my command. But most of all, I got to hurt people in my own harmless little way.

I liked the story. It came out well because of how dark it is. To this day it’s probably my most brutal piece. And in a way, it was my way of ending Cyntheras’ vacation in my head and returning her to where she belonged. I loved being evil, and now I don’t feel the need to think that way anymore.

It was in this thought that I realized. Once I wrote her story, she left my head. Left my thoughts. I realized that, at any given point in time, there’s almost always a person renting a space in my head. they invade my thoughts and my personality. Sometimes it’s a good thing. Other times, it’s not. Writing about them is just my way of evicting them.

My characters are different versions of me. Some are more me than others, but in writing their stories, I stop being me for a while. I get to explore possibilities and manifest things that are either not socially acceptable or not physically possible. I simply enjoy becoming different people for a while, which sort of explains why I find characters most like me harder to enjoy writing about.

This also explains why I like acting, and Dungeons & Dragons. I love just taking time to not be me. Cyntheras isn’t like me. She thrives on hurting people and lives only to serve her god. But I could fulfill myself in that through her, I could take action without fear of consequence. Maelys isn’t like me. He doesn’t take the time to question what’s happening around him, he just lets things happen unless he’s forced to react. But through him, I could explore, experience wonder, and adventure without having to worry about responsibilities. Lisa Stenton isn’t like me. She’s sassy and insecure and doesn’t even know what she should be doing with her life. But her stories allow me to have fun despite roadblocks and hardships.

None of my characters are me. But, in a way, they’re all me. I always jump at the opportunity to step out of my own shoes for a while, so with that in mind I suppose it was only a matter of time before I got into acting and broke out of my shell. I’m still introverted yes, but it doesn’t stop me from taking vacations from my own head.

That said, Cyntheras’ mind is a very different place. It can be fun for a while, but I don’t recommend staying there for long. For one, it’s crowded. I guess that sort of happens when you hear voices.

Also, I don’t want to be a writer. I am a writer. But I’m not a writer because of the prestige that the title may or may not get me. I’m just a writer because it’s the easiest way to write evictions for the many people that come and go from the very cramped space that is my head.

Review — Star Wars: The Last Jedi

I know, I know. There’s nothing I can say about this movie that hasn’t already been said. Most people hate it, a few people love it. Unfortunately, I haven’t seen any other movies recently, so this is what I’m going to talk about today. My perspective may have been a little different than most, so I’ll tell you what: regardless of what you may think about the movie, you’ll probably disagree with me. So, since it’s been several weeks, and nobody in the universe is going to read a review about a Star Wars movie at this point if they haven’t already seen it, there will be spoilers ahead.

Before I get into likes and dislikes, some background. My close family, (at least the people I spend the most time with) are all nerds. That said, I’m also the youngest of six, so sometimes I can be left out of the loop with things. Such was the case with the Star Wars franchise. The first Star Wars movie I watched in its entirety was Episode III: Revenge of the Sith in theaters. Before you bust out your pitchforks, though, know this: I was eight at the time, and while I knew vaguely about the characters and the premise, I didn’t really know anything. The literal eight year old I was liked the movie for the action, but since it was just one of many movies for me at the time, I all but forgot the entire thing within a year.

Fast forward to now. I’ve since seen every Star Wars film, and the first movie I got to really see and appreciate in theaters as a valid audience member was Rogue One. For as much as I liked it, I couldn’t give you more than two names of any of the characters in that movie. It was just too much, too fast for me. A solid war movie overall, and you can read my review of it here. (Plus if the entire movie was made just as an excuse to put the Vader scene in theaters, it would still be worth it).

Anyways, Episode VIII: The Last Jedi, was the first time I really got to sit down and watch a new story unfold in this universe. I was ecstatic, and I’ll be honest, I loved it. I walked out of the movie theater thinking it was the best Skywalker film made yet. That isn’t to say it didn’t have flaws, but overall, the choices that were made in the movie worked really well for me. At the time.

I’ve since watched YouTube commentaries on the film, and have read up a bit on a lot of things, and it’s opened my eyes a bit to really see what the current trilogy is doing wrong. The Last Jedi is not a masterpiece. The side-plot with the planet only serves to further a love interest that I hated (which was my biggest gripe immediately after watching it) and narrative-wise makes things worse for our heroes, there were lots of silly character choices that were either meaningless or contradictory, and nobody in this movie ever learns anything.

But I did enjoy a lot of the scenes. The “silent scene” was astonishing to me, because everyone in the theater managed to be quiet, and it was a great moment. (It did make me wonder, though, why wasn’t that choice made half an hour ago? Or, heck, why aren’t spaceships used as missiles all the time? One cruiser for one flagship? Deal.) I actually really enjoyed Rey’s character arc, and the complexity of her character in contrast to Kylo Ren was pretty neat. It was an interesting new twist, and I liked it. I also didn’t mind things like Leia using the Force to save herself and the kid using the Force at the end. Sure, you can make the argument that nobody can use the Force until you’re trained to use it, but the Star Wars universe is a big place that encompasses a very long period of time. Lots of strange and unexpected things can happen. Besides, a character saying “This is impossible” in a story should not be taken as absolute, 100%, unavoidable truth. Things change.

As I said, the movie isn’t without it’s faults. There’s a lot of valid complaints about it, but I still think the movie is overall great, and certainly quite enjoyable. Maybe not for diehard fans that have trouble suspending disbelief for new content in familiar mediums, but still.

As for me, I’m just hoping that whatever trilogy what’s-his-name got approved to direct after Episode IX is an Old Republic trilogy. That would be sweet.


D&D — Dialogues 4: Do You MIND?

Sometimes, things just don’t go as well as you expect they might. Or sometimes they go just as poorly as you feared. It all depends on the dice with D&D. This one isn’t a funny story, but instead was a great moment of just how frightening some moments can be if done right.


This is the same campaign of Dialogues 2 and 3, only my character, a human priest named Kallos, has since died. In the session immediately after Dialogue 3, in fact. After getting knocked unconscious, he was thrown across the room (1 failed Death save) and then he rolled a 1 on his turn immediately after, so… dead. It happened really quick, and the party was only level 3, so there’s really no coming back from that.\

My new character is a halfling barbarian named Xiuhcoatl (pronounced Shee-uh-ko). She’s something of a monotone character, deadpanning everything, but she’s also a sadist, so it’s an interesting combo. This Dialogue, however, isn’t really her story.

The party has ventured deep into a tunnel, chasing an evil duergar who attacked our town. We have to find him to stop him from telling his people of the surface’s defenses. As we delve further into this cave (we’ve been in here for hours), we find a man sitting in the middle of a pile of bodies, all cut in half. He stands in darkness, mumbling to himself, and in walks my brother, who then joined the party. (This was a welcome surprise to the half of us who hadn’t been told he was coming.) His character seems a little… unstable. We warily accept him into our fold as we continue on.

Now, the party didn’t rest before following the dwarf down here. We fought him, he ran off, and we gave chase. My level 4 barbarian is at 18/53 health, our other warlock is tapped out for spells, and we’re all but spent as it is.

So our DM was surprised that, when we find a crumbling door and some tents nearby, we don’t rest and plan. In fact, we don’t even take the sneaky approach.

I accidentally alert the dwarves to our presence, and the party takes cover. Theren, our spent warlock, casts Grease at the choke point in the doorway. Jod, the crazy warlock, and I hide behind the doors and whack them as they walk through. There’s three duergar. Then, three more show up. Things are going well. The duergar are rolling pretty low and, miraculously, we haven’t taken any damage yet (in this fight, that is).

But as I said, we’re already tapped out. By the time we take out three of the dwarves, a mind flayer steps out of the third and last tent. As soon as all the players see this, we decide it’s best to retreat. We can’t take on three more duergar and a mind flayer. And while Kollin the player knows how dangerous they are, Xiuhcoatl has never seen one, and she likes to grapple people. If an illithid is grappling you it can eat your brain, which will kill you outright. So she might unwittingly get herself killed just because she doesn’t know what she’s up against.

On Theren’s turn, he takes out Remnant’s Necklace (as mentioned in Dialogues 2). We’ve since learned that this necklace will “greatly empower a single spell cast through it”. We haven’t been told what that means, exactly, so Theren casts Eldritch Blast through the necklace at the mind flayer. He does this to push him back and to discourage him from following the party as we make our escape.

The DM asks him to roll 5d10, as opposed to the normal Eldritch Blast damage of 1d10.

A giant beam blasts through the fray, slamming into the mind flayer and throwing him back into the tent. The party sort of mutually misinterprets this as a signal to go in, so we do.

Jod walks up to the mind flayer and casts Arms of Hadar, thrashing tentacle-like wads of paper (part of his backstory) wildly at him and the three remaining duergar.

On the illithid’s turn, he casts a wave of psychic energy outward, and the DM asks all of us to make an intellgence saving throw. If I recall correctly, our rolls were 3, 4, 4, 5, and 6. Our best score against this save was 10, and we needed to beat a 15. Think about that. Out of 5 people, all of us failed what could be considered a fairly average spell save DC. This also dealt about 12 damage, if I recall correctly.

So all 5 of us, in addition to the duergar, are stunned for 1 minute, or until we make the saving throw on our respective turns. Our monk has fallen unconscious. I’m at about 4 health. Theren’s almost down, too. All of us are stunned, and since Kallos died, the party no longer has a healer.

At this point, I would have said the chances of a TPK right here and now would be over 70%.

Jod and Xiuhcoatl make their save on their next turn. Theren and our artificer are still stunned, and our monk is unconscious.

On the mind flayer’s next turn, he walks up to Jod and grapples him with his tentacles. Really bad news.

On Jod’s turn, he casts Cloud of Daggers at 3rd level. This spell deals 4d4 (6d4 at 3rd level) damage when a creature enters the cloud or starts its turn in the cloud. So he deals 6d4 now.

Xiuhcoatl is too far away to get to the illithid without using a dash action. Instead, she rushes over to the monk and gives him a healing potion.

On the monk’s next turn, he jumps up and runs over to the mind flayer and starts clobbering him. He’s looking rough.

Everyone else is stunned. Theren would have cast Eldritch Blast to knock the mind flayer away. Our artificer could have dealt tons of damage, but they can’t.

I’m panicking because this is only the second time my brother has played D&D. I don’t want his character to die after him barely playing, but I’ve done all I can.

The mind flayer’s turn begins, and before anything else happens, Cloud of Daggers deals its damage.

The numbers on these d4 were 2, 3, 4, 4, 4, 4. He dealt 21 out of 24 possible damage, and because he rolled so well, the mind flayer dies, and Jod lives to see another day.

We were pulled to the brink, and as far as Jod’s life was concerned, that fight could not have been any closer.


Needless to say, we rested after that fight.

Review — Wildcat

I recently got through Wildcat, by JP Harker, sort of in between all the physical books I’ve been reading lately (I’m still in between books two and three of Lord of the Rings, and have been thinking about picking up a new series by Samantha Shannon). So I picked this one up and resolved to finish it before the end of the year, and I did! I’m pretty proud of myself on that front—while this is no Stormlight Archive, the book is pretty thick.

To my knowledge, this is the author’s debut novel, and I’ll admit it, it kind of reads like one. There’s a lot of choices made in the book that seemed off, and a lot of the plot can be called simple. That’s not to say the book is bad—it does have some awesome scenes that I thoroughly enjoyed—but it doesn’t knock anything out of the park.

I think a big part of the problem is the fact that really, I’m not the target audience for the book. I would have trouble pinning this one done to a genre, since some subplots get a lot of attention and the main conflict doesn’t come into the foreground until more than halfway through the book. There’s lots of action and threat of physical conflict towards the beginning and end, but it slows down a lot in the middle, and there were times where I wasn’t sure if this book was actually a romance in disguise.

The biggest problem is easy to diagnose, though: There’s just too many characters that are named. As in, 70% of the characters that this book considers “important” enough to name shouldn’t have been. It makes things really confusing for the reader when they have too many names to juggle. (I’ve found that the author often doesn’t see this because in their mind, the name is used as a label for a character they’re already familiar with. The reader doesn’t have this luxury.)

Imagine that every character name used in a story is a marble. Every time you introduce a name (even if its an alias of a familiar character), you grab a new marble, and set it on the table. Realistically, your table can see about thirty to fifty marbles (names). But eventually your table doesn’t have enough surface area to be able to lay them all flat across the table, so you have to get a bowl to hold all your marbles. Except, now you can’t see some marbles, so when you come across that name in the book, you don’t have any idea who it belongs to, because now the book assumes you remember.

I’ll use a quote from the book to show you what I mean: “The town was now heaving with people and Rhia saw that her Aunt Eleri and Uncle Aeron had arrived, along with her cousins Pryder and Merrion, and their wives Eluned and Kira. Cerridwen, their sister, was chatting with her own husband, Natan, who was looking as red-faced as Rhia felt after her climb up the hill.” Now, as both a reader and a writer, I know none of these characters are important. They’re just furniture. This paragraph of nine unique character names has eight too many, because the only one that matters is the protagonist’s. (Side note: if these characters had actually turned out to be important, and the author had expected me to memorize who was who, that would have been even worse, but thankfully that wasn’t the case.)

In all honesty, there were times where a character that was in the beginning of the book didn’t get any scenes in the middle, but became important at the end of the book, and I had no idea who they were. The name was so unfamiliar to me that I didn’t even know where their name had come up before, so I couldn’t even use the book as a resource to figure out who this character was. I’m not exaggerating when I say with full confidence that there are probably over 200, maybe 300 unique names in the book. No, I didn’t go back and count, but realistically there shouldn’t even be 100 different names, especially since scenes like the one I described only serve to confuse the audience.

That said, that’s the most glaring issue with the book. If you have a notepad and write down all the character names and a short snippet of who they are as you read the book, it’ll be much more coherent. It’s a shame, because there are some awesome moments in the book.

So, final thoughts? While the book isn’t the best, it shows promise. Having the willpower to see a book through from start to finish is no small feat, and especially with a book this long, it’s commendable. To me, that says “I’m in it for the long haul”, and I can easily see future books really starting to shine.

D&D — Dialogues 3: The Law of Averages, Pt. 2

Two (in-game) days later. Our party had been rescued by a stranger (the paladin’s new PC), and taken to the secret base of the resistance. The leader, a ripped dwarf lady named Boulderback, says that she could use our help toppling the ruthless leadership of the dwarves currently in command. We owe the resistance our lives, for rescuing us in the first place, but its also personal. We lost a friend in that fight. They would have their help.

The party is instructed to go attack a guard tower at the same time as the rest of the resistance. A coordinated attack meant to be swift and decisive. Our rescuer, a female artificer, joins us for the battle.

Now, it’s worth noting at this point that out of character, I’m telling the monk in our party that Kallos is going to destroy these guys this time around. I (jokingly) argue that since Inflict Wounds rolled so low the first time it hit, the second time I hit with it it would have to deal at least 30 damage. It’s called the Law of Averages. Our monk remains skeptical. Plus, I tell him, it’s my birthday, so the universe has to cut me some slack. Kallos (and I) want revenge for being humiliated in that last fight. And this time, Kallos has a plan.

The party is in an open, garden-like area with statues placed throughout. These provide half-cover, and if we’re careful we can use them to sneak up on the guards.

Kallos casts Invoke Duplicity, making a perfect copy of himself behind a nearby statue. Then he sneaks towards it and fumbles a stealth roll (-1 Dex is a real killer).

As soon as the guards come out to investigate, however, our artificer engages. She deals an incredible amount of damage in the first round, nearly killing a guard right off the bat. The rest of the party moves in to engage while Kallos sneaks around the statues, still not quite involved in the combat.

While the guards are distracted with our warlock and artificer, Kallos sneaks up to the nearest one and casts Inflict Wounds. This time, with Invoke Duplicity right next to me, I have advantage on my attack roll, meaning I roll twice and take the higher number.

I didn’t need the advantage, though. I rolled a 20 on the first roll. I believe this is also Kallos’ first crit.

Now, in this particular session, the way our DM rules crits is “Double dice roll, then max damage”. So, if your attack would deal 1d6 damage, it would turn into 2d6, and immediately take the max without needing to roll, meaning it would automatically deal 12 damage. Inflict Wounds, of course, deals 3d10, so when it crits by these rules, I deal 60 damage.

Now, I didn’t have enough movement speed to get to the boss-man. This guy was just a lackey. He gets disintegrated. Literally.

At this point, the DM has me roll initiative, as I’ve entered the combat. I don’t roll very high, but I still move before the boss. So when it creeps up to my turn again, I walk over to him, and realize it is the same guard captain that killed my friend.

“Thought it tickled last time, did you?” Kallos says, casting Inflict Wounds at 2nd level again. I still have advantage, but again, I don’t need it. I roll another 20 on the first throw. 4d10*2, maxed, equates to 80 damage. (Again, for perspective, Kallos has 27 health. That amount of damage would take him down nearly 3 times over.)

So, having crit with Inflict Wounds twice in a row, he’s dealt 140 damage in one turn. Our monk is at this point nodding sagely. “I didn’t realize how powerful the Law of Averages was.”

Now, this guy doesn’t die. Instead, he does what anyone else would do when faced with certain death at the hands of dumb luck. He turns into a demon.

That’s pretty much the end of the exciting part of the tale. He turns all of his buddies into husks as he mind controls them using lampreys (which was, may I say, exceedingly gross). He keeps fighting Kallos, unwavering, and with his two attacks a turn (and terrible armor due to my wanting to be more sneaky this combat), he doesn’t do so well. And, I kid you not, the die that rolled two crits (not technically back-to-back, since I had advantage) proceeds to roll 4 2’s in a row.

So, needless to say, Kallos doesn’t last long against him. He falls unconscious, and I legitimately thought he was going to die that session. The rest of the party manages to pull through, however, and the would-be valiant end of Kallos Mortani instead became “That time Kallos wasn’t useless in combat”.