Me — Enjoyment From Productivity

According to my happiness tracker, an average day for me is about a 7/10. It wasn’t particularly good, but there wasn’t any bad things, either. It was just a day, as are most other days. I’ve been noticing a trend lately that kind of bothers me, though.

Weekends, the days I don’t have work, aren’t really any better than weekdays. On average, it’s about a .25 difference. That seems off. Relaxing doesn’t make me happier than working? Well…

I’ve found that the single biggest factor that will increase how good I feel about any given day is how I spent my time. It doesn’t matter (much) whether I had work or whether or not I had time to sit down and breathe. It’s all about productivity. How much work on personal projects did I get done. That’s the biggest thing. Hanging out with friends or playing D&D also consistently increase my happiness on a given day, but not to the same scale as getting work done.

It’s interesting to note that even after I’ve made this observation, getting work done on a weekend is still just as hard. Even when I know my day will be better the sooner I get stuff done, I still end up going to bed after only crossing one thing off my list and feeling terrible for it (which is made up for by having relaxed all day). I spend every work week telling myself that I’m going to spend the entire Saturday crossing everything off my list so I can have a blissful Sunday, but then I wake up Monday morning with only the things that needed doing getting done.

The worst part is, I don’t know where the problem is. I would love to figure out how to just get things done and appropriately reward myself for being productive, but I’m wondering if I just need to learn to relax and enjoy relaxing. I’ve tried the latter, and it certainly isn’t as easy as just ignoring the responsibility to live in the moment.

Around this time last year I was consistently getting up at 5am (on the advice of Day9) to get stuff done before work, then getting home just to relax. It worked like a charm, but I haven’t since been able to replicate that behavior. (I’d be tempted to try this tomorrow morning, but I’m still getting over a cold and I feel cutting my sleep by two and a half hours would be asking for trouble.)

I guess part of the problem is that a lot of the stuff on my to-do list already feels like work. Editing short stories for my next anthology isn’t fun, it’s just something I need to do. Writing for the passion project is fun, but it’s also not nearly as much of a priority, so it feels a bit like I’m wasting my time when I’m doing that instead of editing or fully relaxing.

I don’t know about you, but it’s nearly impossible to reward yourself for hard work when you can instead reward yourself for no work at no consequence. I imagine this is simply a perpetual struggle for “real” adults, but it’s not something I’m even close to having a handle on just yet.

Me — September ’19 Monthly Update

August set the beginning of the end for my schooling (for now, at least), and after this semester I will be done. It had a lot of ups and downs, and I would categorize September as a return to normalcy. I feel as though I’ve finally, truly, recovered my purpose, and though I still don’t have the drive of “Be productive 24/7 and get all the things done”, I’m trying to be okay with relaxing. Between working full time and going to school, pretty much every day is productive. I’m trying to let go of the idea that a day is a waste if I don’t spend at least some time working on personal projects.

Anyways, onto the updates. As always, the Monthly Update Topic Order™: blog, writing plans, work, school, D&D, video games, reading/listening, and other things.

No blog changes. Once a week still suits me just fine. I like the periodic updates without feeling like I’m chaining myself to the website.

As of now, I’m still working on three different writing projects. For the passion project, I’m currently drafting up story beats and a prologue to the first big main story arc. (The details of that story won’t come for at least two years, as the project would first have to find its feet with a following, and we would have to develop better means of telling such a big story. Suffice to say it’s at least a novel length and needs context before being presented to the world.)

The first draft to Lisa’s full length play is nearing completion, and while I do feel the plot is ho-hum at best, I am proud of myself for nearly completing a work of such length, as I haven’t finished a full draft of that caliber in years. Stay tuned for more details on that, I expect to finish this play by the end of the year.

My second short story anthology is still in the works. Unfortunately, it’s at the bottom of this list. Still, these stories only need edits, so I hope to publish it by the end of the year as my first “real” book. (The first anthology was meant to simply be a means for family and friends to access a hard copy of some of my earliest works.)

Work has been slow going. It hasn’t been stressful, which is good, but that also means its been a little slow, which means my boss hasn’t been super happy. These past few days have been okay, but I still find myself thinking and preparing for any bad news he might present to me at any given moment. I know it’s not a good relationship to have, but it’s just how it is, and it’s something I can bear for a few more months.

School has been a bit rough. The play I had been planning on being a part of didn’t cast me, which was a bit surprising and my ego took a hit, but I suppose that’s a blessing in some regards. Being turned down has made me think about how my supposedly great audition really wasn’t as stellar as I had thought it was, and now I know how I could do it better in the future (not that there will be one, but still). It’s a bummer, but it also allows me to have week nights, which I had planned on giving up for the next few months. So now I’m only taking the one class, which has been a lot of fun so far. I’m trying to be more sociable, which is sort of working.

At the end of July, I passed the reins of the Aleor campaign to one of my brothers, who is taking the party to a new destination. I’m super excited to play as a PC again, and to finally explore Acelia’s personality. It makes me feel a little bad as I’m worried about overpowering the campaign. (The other two players aren’t quite as interested in roleplay as I am, even if they go along with it.) This isn’t a concern I have directly addressed to them, and perhaps it’s unfounded, but I honestly feel like I’m playing the way I want to for the first time. That’s not to say that I don’t enjoy DMing—the Octopath Traveler soundtrack has become nostalgic to me for this specific campaign, but prepping a session is a lot of work, and I could use the break.

With the release (re-release?) of WoW Classic, that’s basically been how I’ve spent all of my free time. Two weeks later, I’m level 35, so it’s probably going to be about another month at least before I hit 60, but as per my last post, it’s definitely been the time sink I needed to unwind. Even if the game hates the player.

While playing WoW, I’ve been watching lots of Day9’s Day Off playthroughs, as well as Critical Role. I plan on returning my attention to the Dresden Files soon, (I’m halfway through my reread of #3, Grave Peril), but it takes more mental effort than I’m willing to give at the moment.

I actually don’t really have anything else. After that mental blow I took in June, I feel as though I’ve gotten back to where I was. That is to say, able to enjoy life. Last time it took me six months to get back to this point, so the fact that it only took three this time is a really good sign. Plus, it’s going to start getting cooler soon, and fall is probably my favorite season. Things are looking up.

Life — WoW: Classic

I’ll be the first to admit that I didn’t have any interest in playing Vanilla WoW again when they first announced it. After so many years of updates and so many quality of life changes, I wasn’t convinced that nostalgia could save it. There was just so much that the original game was lacking that current players take for granted. Despite this, I knew I’d give it a try just for its own sake.

It’s odd to think about, but how many games are out there that were released specifically as an older version? Even old games that are re-released get remastered with better graphics and less glitches, but WoW Classic required an enormous amount of effort to unmaster. They didn’t even “digitally remaster” the graphics or anything like that, because obviously they wanted it to be as faithful to the original game as it could possibly be.

And, for good or for ill, I’ve been playing it a lot. Nearly all my free time has been spent playing it, (though I’ve still been taking time to keep up with writing projects, blog notwithstanding) and there’s something that I didn’t expect WoW: Classic to revitalize…

Back in the early days from 2004-2007, I would say that World of Warcraft became popular for two reasons. The first is that mechanics-wise, it was the best of its time. There’s little question about that, all you have to do is look at the numbers. But more than that, it was a great way to socialize. After you got home from work, you would log onto the game, see all of your friends online in the guild, and chat with them. Hang out with them. The game made it so easy to connect with people—as well as make new friends.

Fifteen years later, with the rise of Facebook, Twitter, Instagram etc., we are so globally interconnected that people have rekindled relationships with friends they otherwise never would have met again. (For example, I’m Facebook friends with my best friend from 2nd grade, whom I haven’t seen since.) So, at least in the retail version of World of Warcraft, you really don’t need to talk to people. Partly because the majority the content can be done on your own (or at least it connects you to strangers automatically), but partly because the online connections you have don’t need to be done through an MMO like WoW.

This was my main concern. “You can’t restore a game to its original glory when its glory was so contingent on a tight-knit community,” I said. And I still think some of that is true, but oh boy did I underestimate the players.

In a lot of ways, playing WoW: Classic is like stepping into the past. The chat channels are always full, strangers are constantly inviting you to their parties and guilds, making the same jokes, you name it. If you log in at 5pm realm time, you have to wait about an hour just to log into the server I’m playing on because it’s full. In ways I can’t quite put into words, and in ways I certainly didn’t expect, I feel like I’m once again exploring a world with other people. Something I haven’t really felt in probably any other MMO.

This isn’t a review. If it was, I would tell you how awful the quest design is (which is actually worse than I remember), and how much time you have to waste running back and forth from Point A to Point B to get pitiful amounts of money and experience. I’d tell you how everything is hard, and since there’s so many people around, you have to compete against those around you just to get to the next quest, or how you constantly have to fight your inventory just to be able to maximize profits when you get back to town.

I’ve also been struggling with finding a good game to play lately. I needed a time sink so that I can watch YouTube streams and listen to audiobooks, but everything I had been playing was either tired or too high maintenance to multitask. So this came around at the perfect time.

Me — August ’19 Monthly Update

July really started off rough, but towards the end of it things have started to look better. I’ve noticed something strange about my moods, lately. According to my happiness tracker, the toughest weeks—the ones where I’ve been depressed and unmotivated—have pretty consistent scores, only having a rough deviation of 1. It looks like a generally state, if a little curvy line. The weeks that I generally feel better fluctuate a lot more, with ups and downs that look like a seismograph, where the worst days are about the normal level for my depressed states. Strange to think that if I’m happy, every other day will still be as bad as a normally depressing day, I’ll just have better good days.

Anyways, onto the updates. As always, the Monthly Update Topic Order™: blog, writing plans, work, school, D&D, video games, reading/listening, and other things.

With my last semester of college starting up in a couple weeks, I’m going to cut Saturdays off the weekly schedule and only post once a week on Tuesday. I expect to be pretty busy, being either at work or at school 60 hours a week (with free weekends, fortunately). More on that in a bit, but I think it’s time to back down on the blog now that my plate is full again.

I’ve been writing a lot recently! Work on the full length Lisa Stenton play has resumed, and the first draft of the first act is 100% done! I plan to start plucking away at the second act next week. I’m also chugging away at the collection of short stories for my passion project (which we hope to unveil in the next few months!), and the backlog is growing! I’m super excited to show everyone what we’ve been working on. Lastly, progress on the second short story anthology is going slow, as it’s not very high on my priority list, but it is going, and I’m collecting edits for the manuscript now.

Work has been fine. The last month was a slow one, as the summer always is in my line of work, but August is already promising to be very busy, with a ton of huge jobs coming in. I’m not sure how to feel about that, because on one hand, the boss is happy with the revenue, but on the other, the stress of deadlines and upkeep will be much higher.

As for school, I’m excited to say that, assuming all goes well, this will definitely be my last semester of college. I tried to get one of my AA’s last semester, but they said I was missing a class I definitely was not missing, which was irritating. Hopefully, that’s all sorted out, and I’ll have two AA’s and more than a couple certificates to boot. Plus, I plan on performing in my first full length play. I figure I’ve played every other part in the theatre world—writer, director, costumer, stage designer, tech crew, etc., that I might as well finish as an actor again, where my interest in theatre all started.

D&D. Buckle your pants. The Aleor campaign began with the Night of Fire, December 31st 2018 (or, Safepass 30, 427, if you’re Aloran). 7 months and 28 sessions later, my reign of terror awesomeness is over. The Knights of Fire (yes, that’s what they named the guild) have traveled hundreds of miles, fought a god’s familiar, deterred a rising evil, and restored a lost people. I’m going to take a break from DMing as this chapter closes, and my brother (one of the current players,) will continue where I left off as we explore what comes next. I’m very excited to play as a PC again, as I haven’t done that in quite a few months and frankly, I need a break! The last few sessions were really a blast though, and I’ve discovered that I’m already nostalgic for the Octopath Traveler soundtrack, as that is what I used as background for the majority of their adventures. I feel like I can start chronicling the campaign now, and I’d better do it soon before my notes and my memory are harder and harder to line up!

Nothing interesting to say about video games. Still mostly playing Heroes of the Storm and MTG Arena, but I also recently picked up Sunless Skies, which is a story-driven adventure game full of eldritch horror. It’s a sequel to Sunless Seas, and it is everything a sequel should be: all the features the last game had plus a bunch of quality of life changes and new mechanics! I love it, but it’s not one of those games you can sit down and play for twenty minutes, so it’s hard to find the time to enjoy it.

In the meantime, I’ve been doing a reread (re-listen, rather) of The Dresden Files, because Jim Butcher just finished Peace Talks (no release date yet), and I want to remind myself of all the things that have happened and where we’re at because it’s probably been over four years since I read Skin Game, and it’s a lot to catch up on. I just finished Book 2: Fool Moon last night, and I’m starting to think I should pace myself if I don’t want to finish way too fast.

I actually have nothing else to say! I mean, that’s still quite a bit, but I’m excited for all the new things happening in August, and the next few months should be really busy. Can’t wait.

 

Me — The State of the Gaming Industry

An unconscious but nearly constant frustration I have these days is my growing disappointment with what the gaming industry has turned into over the past decade (or two, depending on how you look at it). Also, before I get into it, just going to say this could easily just be nostalgia talking, but I think at least a few of my points are valid.

The crux of my argument is that I feel that the days of waiting for a game to be as good as it can be before publishing it and releasing it out into the world are long past us. When I think of these games, the first two examples that specifically come to mind are the Halo franchise and most Blizzard Entertainment games (the Diablo 3 launch being an exception). You’ll see why I bring up these two in a minute, but if you know games you probably already know why.

No big calamitous event ruined video games, I’d say. It was a slow, gradual descent into madness as corporations realized there was money to be had there, and started taking over the gaming world. Huge names like EA, Activision, Ubisoft, etc., bought every smaller studio they could get their hands on, and as a result took hold of a lot of video game franchises that were stellar. Games became about money, not games, as mobile gaming became popularized, purchased DLC, and subscription fees all put game developers’ time and effort where it shouldn’t have gone—that is to say, out of the hands of the player. (I will say that mobile gaming in general was a great thing; it opened up a lot of realms of possibilities, but things like Candy CrushAngry BirdsClash of Clans, etc, were never about making a good game, which is the core of a lot of gamers’ hatred towards the genre as a whole).

So as companies realized they could make more money by locking more and more content behind larger and larger pay walls, a lot of focus started to be driven towards constructing those walls when it could have simply been spent making the experience the best it could be.

The worst of all this was that it is not and has never been an issue with the game developers. Everyone wants to make something awesome. Something everyone loves. But when the people in the big chairs say you have to release on a deadline that is immovable, regardless of setbacks and challenges, you will invariably get rushed and unsatisfying results.

Bungie is a good example of this. The Destiny franchise was strangled by Activision’s deadlines and rules, gutting a story without having time to rework it, simplifying content to fit a deadline, and locking all meaningful content behind seasonal DLC destroyed something that could have been amazing. A little digging will tell you that a lot of Bungie’s most iconic names have since left the company in the wake of a lot of disappointing corporate decisions.

This is the same story with Blizzard. Fortunately it took longer for the company to be eaten as they were larger to start with, but slowly Blizzard became less about its three flagship franchises and more about regularly releasing content for half a dozen games. Hearthstone hasn’t had anything innovative in years, it’s just a run of the mill card game now. Heroes of the Storm, which I still love dearly, has lost virtually all support from Blizzard, and it’s abandonment has left what semblance of a competitive multiplayer experience it had in shambles. World of Warcraft has been going downhill for about a decade now, and Overwatch hasn’t been getting the audience it used to now that it isn’t shiny and new anymore. Diablo 4 will inspire some new draw, for sure, but with how many veteran employees have left over the past two years, I can’t help but fear there isn’t much of a future left for what was once a titan of the community.

There are still good games being made. Nintendo is still the same old same old (God bless them). The newest God of War game is a masterpiece, and despite Fallout: 76‘s controversy, I’m optimistic Bethesda will Starfield and Elder Scrolls VI the best games they can be. But the only people I really feel I can trust in the industry these days are indie companies like Team Cherry and Chucklefish Studios. The only downside to this is that indie companies can’t make proper competitive multiplayer experiences without the support of huge servers and a large fan base (and I sort of always need a good PvP game to jump onto every now and then).

I’m not surprised that it’s come to this by any means. An optimistic Kollin would have hoped that Blizzard was above this ten years ago, even if capitalism consumed everyone else. Funny thing is, this nihilism does nothing to curb my interest in working for a game studio as a writer, because if anything I’d want to join an indie studio.

Me — Writing Update

For those that may be interested in the current writing projects that I’m working on, here’s a quick update.

At the moment, I have three projects I would consider myself to be actively working on, and while they’re all big, my level of investment on them can vary quite a bit.

Most relevant to you is probably my second short story anthology (the first of which is self-published and available on Amazon). To give some insight, this new book is the same premise—about two dozen short stories written across all of my universes from Nacre Then to Spear Gate to Lisa Stenton—but these new stories are from 2017-2018. My first book was pretty much published to be a collection of the first stories I ever wrote, and as such, I barely edited them at all before compiling them into the anthology.

This new book, I would say, is different in the sense that I’m setting it up to be a solid set of good shorts. (This is all the best stuff from those two years, after all.) This means that the stories need edits, and in a few cases a solid rewrite, before they’re ready to be shown to the world. Obviously it’s a lot more work, but where the first book was intended to be a proof of concept, I hope to publish this one with a true sense of pride (and excitement!) for sharing some of my best stuff to my friends and family. Suffice to say that the list of works has already been put together, and several stories have gotten edits, but I’m only about a fourth of the way through the full process.

My second project is the Lisa Stenton play I’m still working on. I have the first act done, and a rough outline blocked out. I don’t expect that the manuscript to this thing will ever end up anywhere, but I feel her story needs to be told, and I haven’t written a singular full length piece in far, far too long. I’ll provide updates as it progresses, but in the meantime, we’re slow going on that one. I do, however, fully expect the full first draft to be done by the end of the year.

The last project is also a collection of short stories, but for a completely different purpose. The passion project I’ve been a part of for nearly a year now has been making really good headway, and we have plans to implement a way to monetize our world soon! I’ve been pretty tight lipped about it because the things I would like to be sharing would end up being the things we’re trying to monetize, so it would be counterproductive in that sense. Suffice to say that I hope the short stories I’m setting in that world to be a regular incentive for the audience we’re drawing in! I’ll also say that I’m already really proud of some of the work I’ve come up with from this project. It’s some of my best work in a while.

All of these things feel like slow going when I’m counting it by days, but at the very beginning of 2019 the only aforementioned thing hat had any relevance was the second anthology, which, while it was always on my radar, hadn’t even been put together yet! In another six months, I hope all three of these things will be done and finished (though the third will hopefully be an ongoing process).

Stay tuned, for there is always more to come.

Me — Where to Go After the First Draft?

As you may or may not know, I’m putting together my second short story anthology, which will be collected stories from three established universes as well as several standalone shorts. I’ve been bringing a few of these into my writer’s group, and depending on the story, I’m getting lots of varying types of feedback. What I mean by that is, I’ve heard everything from “this is perfect, don’t change a word” to “it’s a solid concept, but it needs a lot more polishing before it’s ready” (which is a nice way of saying it’s terrible).

When you’re getting lots of feedback that wildly contradicts one another, it can be difficult to know what you should think. It’s easy to agree with the person who loves it and simply move on to the next story, but it can also be soul-wrenching to hear that somebody doesn’t like the thing you’ve worked so hard putting together. It might even be enough to make you want to throw it in the garbage and start over completely.

And maybe that’s what the story needs, but I’m of the opinion that you should never destroy your work. Instead of deleting the file where you keep your first draft, if you must start over from scratch, why not simply make a new file titled “second draft”?

That being said, how are you supposed to know when a story needs to be rewritten completely, or if it simply needs some edits?

As with virtually any writing advice you receive, what comes next is going to be hearsay, so take it with a grain of salt.

In my experience, when I go to my writer’s group I will already know if a story needs to be rewritten from scratch, but it all depends on what I’m trying to do with that piece versus what it actually does.

For example, I wrote a short story in my Spear Gate universe that was essentially written for the atmosphere and the scene. I fell in love with the crazy weird locale the story was set in, so I wanted to make it about the locale. This meant thorough descriptions and a narrative style that matches the mood of the setting. But what ended up being written was a story about a mom with a robot butler worried about her son, and the mom happened to live in a weird place with odd descriptions. The difference is the focus of the story. Instead of writing about Neda and how anxious she was that the sun was setting and her son was supposed to be home by now, I should have written about the cold steel of the walkway she sat on, and the warm cup of coffee doing little to stave off the chilly breeze.

This is a flaw that edits would not fix. Or rather they could, but the wording would have been altered so drastically that it would become a ship of Theseus. If you have to change every sentence, is it really the same old story? In this case, it’s clearly better to simply rewrite it. So I did, and as you might imagine, I think it works much better than it did.

If, however, the story is accomplishing your basic goals, whether it is an interesting character, or a cool plot twist, etc., then more than likely the only thing you’ll need to change is how well the story accomplishes those goals. Maybe the plot twist could be better if it was more subtly foreshadowed, or the interesting character needs a longer interaction to really shine. In this case, you don’t have to tear the whole scaffolding apart, you just need to go back and reinforce what’s already there.

Now this is a huge topic, so I might discuss it more thoroughly later, but the main point here is that you’re the author, so you’re the deciding factor on what the story needs. Don’t let somebody tell you your story sucks if your character simply needs clearer motivations. But if they have good points and you agree that your character simply isn’t interesting enough to be the protagonist, maybe a rewrite is in order. Just think about what you’re trying to accomplish with your story and look at how critical the flaws are, and woven into the story those flaws happen to be.