Finally, a new Dresden book! …kind of. I think that I started reading The Dresden Files about five years ago, around the time Cold Days came out. By the time I was just about caught up, Skin Game was published. Up until that point, the books were being churned out practically once a year, and well, that was three years ago now. I picked the wrong time to get caught up!
Thankfully, a new short story anthology was released, and boy was it nice to get some more Dresden. I recently started listening to audiobooks at work, an with me working full time, I’m getting through them pretty fast. So I am simultaneously ecstatic and depressed that I’ve already finished.
But before I get started let me add a qualifier. The thing that sucks about this review is that it’s more pointless than most reviews. The people that know Dresden will buy it automatically and love it, because it’s the Dresden we all know and love, but the people that don’t know Dresden shouldn’t get it, because like his other short story anthology, there are lots of time skips and even more spoilers. (The last two short stories take place after Skin Game). So instead of me framing it into the vein of “is this worth reading”, I’ll speak plainly in terms of what I liked and didn’t like. That said, this review is not spoiler free. I won’t be discussing many spoilers by virtue of the fact that my opinions tend to paint broad strokes, but I don’t see much point in writing a review that’s half spoiler-free and half not. So let’s jump in.
I’ll start with what I didn’t like just to get over it. The first is that a lot of these stories have sexual contexts I don’t much care for. I mean, I’m not surprised, that’s always been a Dresden thing. But after taking a break from the series and reading so many other things, I’ve noticed how just how much Jim Butcher tends to describe women based on how insanely hot they are, and how naked they tend to get because “the world of vampires and the fey are very sexual realms”. Logical, sure, but I think it would be fair for me to say that the story could redistribute the sex into more polarizing zones. Take it out where it isn’t necessary and emphasize it where it is rather than just putting a little bit pretty much everywhere. (Side note: I am willing to concede that maybe I’m just being dramatic and prude, but at the same time I don’t think the Dresden series would lose much of anything if there was less sex-but-not-actual-sex, you know?)
My second critique is even more whiny than the first: I didn’t really get to see anything I wanted to see. None of my favorite characters, and nothing awesome really happening. Now, obviously he can’t write about important people doing important things in a short story collection—you can’t force your entire reader-base to buy something that’s supposed to be a side adventure—but still. I wanted to see more stuff that had… meaning. “Zoo Day” is probably the best example of this, and it was definitely my favorite story. We see a potentially bad news character introduced, but it was done in a way that doesn’t take away from the main plot when they inevitably return. I also wasn’t a fan of the same plot structure of “retelling a story” used in two of the twelve stories here, though Butcher isn’t much to blame, because a lot of these stories were written at various times over the years and put together, not written for this book.
But the stories in and of themselves are great. I loved everything about the Bigfoot stories, especially the fact that they all dealt with different issues while (unconsciously) foreshadowing future ones. “Zoo Day” is a masterpiece, too. A long scene told in three different perspectives dealing with three different conflicts is great, and Mouse being the narrator to a story was a lot of fun. Top notch.
I love where the series is going, especially considering the scope and the perspective strength of some of the characters, but it’s also nice to take a break and see characters deal with more mundane issues—it puts the huge ones in the main series in a better perspective.
But also I’m mad that Butcher introduced the Lovecraftian mythos in a single short story and we’re probably not going to see much else from the Old Gods for a long time, if at all.